New vinyl reissues: September 18, 2026
It’s another fine week of vinyl reissues, with all sorts of albums returning to wax or, in some cases, appearing there for the very first time. We’ll get into this week’s bounty in a moment, but first, as always, let’s pull out the telescope, point it at the horizon, and see what newly announced reissues are sailing our way later this year. It turned out to be a pretty substantial week in upcoming announcements, as you’ll see. I’ve included links to online preorders, but in almost all cases you should also be able to get these from your local record store, so you might want to put in your preorder there—and support a local business—rather than do so online. Your call.
The debut of Tom Petty and the Heartbreakers turns 50 this year—their self-titled album introduced Petty and his excellent backing group to the world on November 9, 1976. To mark the occasion, the Petty estate and Universal Music have put together not merely a simple reissue of that album (which featured “American Girl” and “Breakdown,” two songs you know by heart unless you just landed on the planet). Rather, we’re getting Origins 1971–1978, a 5-LP box set with a bonus DVD and Blu-ray that includes a remixed version of Tom Petty and the Heartbreakers (with some extended tracks); a remixed version of their 1978 follow-up, You’re Gonna Get It! (with some extended tracks); a live album, Live at the Record Plant 1977, featuring an in-studio performance originally broadcast on San Francisco’s KSAN (with guest Al Kooper); plus, a newly compiled album called No Sleep Til L.A., which contains 12 tracks from Petty’s early days, some of them with the band Mudcrutch and some early Heartbreakers efforts. The fifth disc, The Cut Out Bin, is a five-song, single-sided LP with additional early material taken from Petty’s first attempt at recording a solo album before he reteamed with his old pals in Mudcrutch to form the Heartbreakers. The DVD includes a 1978 live performance on the BBC’s The Old Grey Whistle Test, and the Blu-ray includes all of the audio in hi-res.
While a good portion of the material has been released before, there is a substantial chunk of unreleased stuff, and almost all of it has been newly mixed by Petty’s engineer/archivist Ryan Ulyate. The box is also available on CD, and No Sleep Til L.A. will be available separately on black vinyl, as a red-and-black “Galaxy” color variant, and as a zoetrope picture disc. An “uber deluxe” edition of the big box comes with poster, scarf, rolling papers, and additional tchotchkes and is also available in a limited edition of 500. It all rolls out November 6, and you can do your preorderin’ here.
On the same day, November 6, Bob Dylan will release The Rolling Thunder Revue: The 1976 Live Recordings, a 39-CD box set containing all the professionally recorded shows on his Rolling Thunder tour during the first half of 1976. (It follows a similarly massive box set for the first half of the Rolling Thunder Revue tour, recorded in 1975.) As far as vinyl goes, one of the 1976 shows is being released as a stand-alone: Fort Worth, TX 1976 is a three-LP set with the full show from May 16; four of the songs were released on Dylan’s ’76 live album Hard Rain but have been newly remixed. It can be nabbed here (and the CD box here).
In other wallet-depleting news, the Cars’ self-titled debut album, 1978’s The Cars, is being released by Mobile Fidelity as an UltraDisc One-Step at 45 RPM on two LPs. This edition is limited to 4000 with mastering by Krieg Wunderlich and a mastering chain as follows: “1/4” / 15 IPS analog master to DSD 256 to analog console to lathe,” per the MoFi website. Mobile Fidelity has released The Cars before, as a standard 33 RPM disc back in 2009, which is still in print and available. A firm release date for the upcoming UltraDisc One-Step is not set, but it can be preordered here.
The Zombies’ reissue series continues on their own Beechwood Park label, which thus far has re-released mono editions of the British group’s two ’60s full-lengths, now that ownership of the catalog is fully administered by the band. Continuing the series, they offer Continue Here—its title a nod to their 1965 debut, Begin Here—and it includes all of the 18 non-album singles and B-sides the band released from 1964 to 1967 in their original mono mixes. It comes out October 30 on black vinyl or a gray-looking “London Calling” variant and can be preordered here.
In brief: Fontana’s slightly befuddling Thousand Club series continues with all-analog reissues of the Parlour Band’s 1972 prog-tinged folk-rock obscurity Is a Friend? as well as a signed edition of Level 42’s self-titled fusion-jazz-funk debut from 1981; both are due November 13. Jazz Dispensary’s Top Shelf series has announced their next one: Gary Bartz NTU Troop’s 1973 Prestige album I’ve Known Rivers and Other Bodies, available November 13; preorders here. And Sony has just announced a reissue of the 2000 Miles Davis and John Coltrane box set The Complete Columbia Recordings 1955–1961, originally released on vinyl by Mosaic Records. The 9-LP set includes albums like Kind of Blue, ’Round About Midnight, Milestones, and more, but it has all the performances in original chronological order, which means you get alternate takes of the same songs back to back rather than being able to listen to the natural flow of the albums as designed. If you’re wondering why we’ve been getting so many Miles and Coltrane reissues lately, 2026 marks the centennial year for both jazz legends.
Here is the shiny new playlist for the week, available exclusively to our paid subscribers. It includes music from all the new reissues I mention below, plus plenty of extra ones, and it will give you a well-rounded picture of all that’s happening in the New Arrivals bins this Friday at your local.
If you’d like to upgrade your subscription and get in on the playlist action, there’s a lot more that comes with it. In addition to supporting The Vinyl Cut directly (a great thing in and of itself!), you’ll get access to the full site archives, commenting privileges, and, perhaps best of all, become eligible for our monthly vinyl giveaways—one of which is going on right now, for a shiny new vinyl copy of War’s Greatest Hits 2.0. Check out all the details (and enter the giveaway!) by clicking on this rectangle.
Ned Lannamann
One last note: I’ll be on Steve Westman’s Live Audiophile Roundtable this Saturday, September 19, at 12:15 pm Eastern/9:15 am Pacific. It’s the second of two livestreams Steve will be doing on Saturday; the first is with engineer Jamie Tate at 11:00/8:00 and they’ll be discussing ye olde analog vs. digital debate. I’ll be in the second livestream, where we’ll discuss which albums we use as references when setting up or adjusting our systems. You’ll be able to watch it at this link starting at 9:15 am on Saturday, September 19, or via the video embedded below.
Now, let’s get into the week.
The Velvet Underground: The Velvet Underground [Vinylphyle]
Just announced: UMe’s Vinylphyle series is reissuing the Velvet Underground’s 1969 self-titled album, their third overall and one that was far more intimate and gentle than their first two albums, which explored noise and cacophony as part of the sonic palette. The Velvet Underground, by contrast, is a lovely, twilit collection of mood pieces and character studies like “Pale Blue Eyes” and “Candy Says,” with an uptempo rocker (the glorious “What Goes On”) and an experimental piece (“The Murder Mystery”) added in for good measure. This Vinylphyle reissue features the fabled “Closet Mix,” Lou Reed’s original mix that was on original US pressings and most UK pressings but was replaced in the US by the so-called Valentin Mix. Both mixes are worthy, but the Closet Mix has some wonderful little details, including a completely alternate take of “Some Kinda Love.” The album is simply a masterpiece, and to see its rarer mix receive the Vinylphyle treatment—with an all-analog cut from Sterling Sound’s Joe Nino-Hernes—is incredibly exciting. It’s available at this link currently, but in case that link stops working, you should then be able to order it via uDiscover Music’s usual Vinylphyle page, where it hasn’t appeared yet. Sadly, these are direct-to-consumer only; no brick-and-mortar stores are able to carry them. (Yet.) The sold-out Vinylphyle edition of The Velvet Underground and Nico may now be the gold standard of that classic album on vinyl; I wouldn’t be surprised if this new pressing of The Velvet Underground has a similar fate.
Bee Gees: Children of the World [Vinylphyle]
Hopefully you’re not sick of reading about Vinylphyle yet. (In case you missed it, yesterday I reviewed five recent titles in the series, all from the 1990s.) They’ve got a new pressing of Bee Gees’ 1976 album Children of the World, which marked the Brothers Gibb’s full plunge into the disco era of their career. It features hits like “You Should Be Dancing,” which was later used on the Saturday Night Fever soundtrack, along with tunes like “Boogie Child” and the ballad “Love So Right.” This reissue is sourced from a 1976 analog copy tape and was mastered by Joe Nino-Hernes, who has done consistently top-notch work on this series. (For more on this, take a peek at my five reviews from yesterday, four of which are for albums that Nino-Hernes cut.) This disc, like The Velvet Underground, was pressed at RTI and comes in a tip-on gatefold with liner notes.
Terry Callier: Occasional Rain [Slow Down Sounds]
Tom “Grover” Biery’s label Slow Down Sounds has not been as prolific as his many projects on the Definitive Sound Series (more on that in a sec), but the philosophy remains the same: excellent reissues of worthy albums made with utmost care and attention. Slow Down is reissuing Terry Callier’s soul-folk cult favorite Occasional Rain, originally released in 1972 on the Cadet label with production by the legendary Charles Stepney. This was the first of Callier and Stepney’s three collaborations, which remain singularly unique and gorgeous affairs, with Callier’s folk-revival tune-smithing intertwined with Callier’s ingenious Chicago-soul arrangements. This reissue was cut from the original analog tape by Kevin Gray at Cohearent Sound and pressed at RTI. I’ve got a full-length review in the works for this wonderful reissue, which I will publish here in the coming days.
R.E.M.: Reckoning [Definitive Sound Series]
Speaking of Tom “Grover” Biery, Interscope-Capitol’s aforementioned Definitive Sound Series, which Biery helms, is having perhaps their biggest week yet, with not one but three new titles shipping this week. DSS offers one-step pressings on high-quality Neotech vinyl pressed at RTI with utmost attention paid to the mastering and presented in tip-on gatefolds inside handsomely slender slipcases. The big gun this week is R.E.M.’s Reckoning, the Athens, Georgia, band’s second album and the second DSS title following their hugely successful paired reissue of the Chronic Town EP and Murmur full-length, which sold out pretty quickly (we reviewed it here). This one has been pressed in quantities of 5000, so they may last a bit longer, but changes are pretty good that these will go fast as well. The one-step pressing was cut from tape by Chris Bellman at Bernie Grundman and, judging from a test pressing I’ve heard, should satisfy all comers.
Kasey Musgraves: Golden Hour [Definitive Sound Series]
DSS has also prepared a new edition of Kasey Musgraves’s 2018 album Golden Hour, which positioned the country star as the empress of a metamodern, weed-blunted realm of cosmic country, winning the Grammy for Album of the Year in the process. The album has always been a soothing, stirring listen but has been ill-served on vinyl, with poor pressings marring the silken sonic landscapes Musgraves and her collaborators conjured up. This new pressing is sourced from the 24-Bit/96-kHz master and cut by Black Belt Mastering’s Levi Seitz, who did such a phenomenal job with the DSS pressing of Beck’s Morning Phase (which I reviewed here). The 45-minute album is now spread across two LPs cut at 45 RPM; I’ve also heard a test pressing of this, and it’s enchantingly good.
Beck: Ride Lonesome [Definitive Sound Series]
The third DSS release is not a reissue; it’s a new album from Beck. Ordinarily I don’t cover new music here—not out of disinterest by any means, but simply because there’s already too much to write about on the reissue front and I have to draw the line somewhere—but this is a special situation. Beck’s new album Ride Lonesome, which follows the hazy-mellow mode of previous albums like Sea Change and Morning Glory, comes out this Friday as a standard pressing and also as a DSS one-step, marking the first time the series has offered a brand-new title the day it hits the marketplace. This is not the first new album to receive a one-step pressing on the day of its release (many small runs could be considered one-steps) but it may be the first time that a designated audiophile version has been released alongside a standard retail pressing. This one was also cut by Levi Seitz from the 24/96 digital master, and although I haven’t heard it yet, I expect it to be pretty mind-blowing.
David Bowie: The Shel Talmy Sessions [Rhino/Parlophone]
Prior to his breakthrough hit, 1969’s “Space Oddity,” David Bowie had amassed a substantial array of failed attempts at becoming a recording star, with nine flopped singles on various labels (some of them under his given name, David Jones) and one very weird Anthony Newley-influenced album for Deram. Along the way he recorded with backing band the Lower Third for the London-based American producer Shel Talmy, who also produced the Kinks, the Who, the Creation, and many others. Now everything Talmy recorded with Bowie has been compiled in one place, featuring the two released singles, additional tracks first released on the 1991 Rhino Early On CD, plus a bunch of previously unreleased tracks. Sadly, the full 22-song tracklist is only available on the CD configuration, with the single LP stingily offering only 11 tracks. Boo. Perhaps Rhino/Parlophone will release the remaining 11 tracks later as a Record Store Day exclusive or something, but it was an unfortunate decision not to make this a double LP with all the material. At any rate, the LP features a very early Bowie who hadn’t yet matured as an artist, but it should be a source of fascination to diehard fans (like me). It’s available on black or red vinyl.
Phil Collins: Face Value (Full Value) [Rhino]
In 1979, the band Genesis took its first extended break after touring almost nonstop since the early ’70s. Keyboardist Tony Banks and bassist/guitarist Mike Rutherford went off to make solo albums, while drummer/vocalist Phil Collins attempted to reconcile with his wife in Vancouver, British Columbia. Unfortunately, the marriage was doomed, and Collins returned home to the UK and poured his sorrow into a series of home demos played on piano, synthesizers, and a recently acquired Roland drum machine. Those demos became Collins’s first solo album, 1981’s Face Value, which features the immortal “In the Air Tonight” along with songs that reflected his love of classic soul, with the Earth, Wind & Fire horns making guest appearances on tracks like the Motown-indebted “I Missed Again” and the gorgeous instrumental “Hand in Hand.” For better or worse, Face Value set the template for much of the music of the 1980s—not to mention Collins’s obscenely successful solo career—and it’s been expanded to a 4-LP set dubbed the Full Value edition, with live tracks and demos to augment the original album. A Steven Wilson remix is available on a separate Blu-ray. Collins gets a lot of grief, but Face Value has always been a pretty terrific record, and it’s probably a little weirder than you might remember. And you can’t deny the most famous drum fill of all time.
Stiff Little Fingers: Nobody’s Heroes [Parlophone]
Concluding our trio of Rhino/Parlophone reissues this week, Stiff Little Fingers’ second album Nobody’s Heroes followed their blisteringly brilliant debut with another collection that’s nearly as galvanizing. Prior to the 1980 album, the Belfast band had relocated to London, losing some of their original members in the process but stepping up their profile in order to compete on the level of the rest of the competitive UK post and post-punk scene; they matched all comers. Nobody’s Heroes is a fantastic, righteously angry punk album that is built on excellent songwriting—these tunes don’t just have edge and aggression, they have melodies. The album has been expanded for a 3-CD/1-Blu-ray set; the 2-LP vinyl version includes an array of BBC sessions on the second disc, which have all been released before. Hopefully the Rotterdam live show from the larger set will be issued on vinyl as part of Record Store Day. At any rate, this is a terrific album supplemented by a LP’s worth of really good BBC stuff, with attractive pricing to boot.
Dur-Dur Band: Volume 3 & 4 1988–1989 [Analog Africa]
Somali dance band Dur-Dur Band were heroes in the Mogadishu scene, with a hugely popular residency at the Jubba Hotel and a sound that incorporated reggae, disco, soul, funk, and jazz. They released a series of cassettes during the 1980s, and their third and fourth, aptly titled Volume 3 and Volume 4, are getting their vinyl due thanks to the impeccable curation at the German label Analog Africa. The recording of 1988’s Volume 3 was interrupted when singer Shimaali Ahmed Shimaali was in a serious car accident, and just before they recorded 1989’s Volume 4, bandleader Isse Dahir Qassim was electrocuted to death during a soundcheck accident. Subsequently, Volume 4 saw the introduction of new members and a more experimental sound. Following up Analog Africa’s vinyl release of Volumes 1 and 2, this pair is now available as a double vinyl set and, despite the tragedies that accompanied their creation, will surely make for uplifting and funky party starters.
Chuck Berry: After School Sessions & Koko Taylor: Koko Taylor [Chess/Acoustic Sounds]
Two new ones from Chess Records’ Acoustic Sounds series are ready. 1957’s After School Session is the first full-length album from Chuck Berry, collecting singles he had released on Chess from 1955 to 1957, although some of his bigger songs had been already released on a compilation album by Chess in 1956 called Rock, Rock, Rock!, so they don’t appear here. What is here is prime Berry, including “School Days” and “Too Much Monkey Business.” Also from Chess is Koko Taylor’s 1969 self-titled album, her first full-length despite decades in the music biz up to that point. Like After School Sessions, Koko Taylor is essentially a compilation, gathering up the fine singles Taylor had recorded for Chess during the 1960s. Both were cut by Matthew Lutthans at the Mastering Lab and pressed at QRP.
Bob Dylan: Desire; World Gone Wrong; Together Through Life [Columbia]
It’s never been too tough to get the Bob Dylan album you want on vinyl, but they go in and out of print from time to time, and this week sees three LPs from his vast catalog given fresh repressings from digital masters. Two of them are fairly inessential—1993’s World Gone Wrong sees him trying his hand at traditional folk songs, and 2009’s Together Through Life occasionally gets to hold the “his best since Time Out of Mind” designation that gets passed around later Dylan albums like a bad penny. The real score is 1976’s Desire, which followed the spare, surly Blood on the Tracks with a swooping, gypsy-folk set augmented by Scarlet Rivera’s fiddle and Emmylou Harris’s duet vocals, and western-movie imagery from songwriting collaborator Jacques Levy. Desire also has story-songs like “Hurricane” and “Joey,” as well as Dylan’s final farewell to his wife in “Sara.” It’s second-tier Dylan, perhaps, but certainly the very best among that worthy bunch—and it remains one of his most lovable and accessible albums, always sounding good on vinyl despite being nearly an hour long. The album preceded the wonderfully ramshackle Rolling Thunder Revue tour, which is getting a massive box set soon, as I mentioned further up in this newsletter.
Jazz Alley
The jazz reissue slate is really cooking this week, with the debut of a new series from Prestige Records (now administered by Craft Recordings) and Acoustic Sounds. The Moodsville series reissues titles from that Prestige offshoot, and the inaugural entries are Moodsville Volume 1, a 1960 set from the Red Garland Trio and Eddie “Lockjaw” Davis; Moodsville 8, by the Frank Wess Quartet, also released in 1960; and Coleman Hawkins’s 1961 album The Hawk Relaxes. As you might imagine, these are all mellow, candlelit jazz performances, and the reissues were cut from tape by Matthew Lutthans at the Mastering Lab and pressed at QRP.
Two new ones are coming from the Blue Note Classic Vinyl Series: Eddie Gale’s Black Rhythm Happening finds the Sun Ra trumpeter fronting his second album for Blue Note. The 1969 platter combines free jazz, soul, gospel, and African music for an invigorating and sui generis listen. And the Three Sounds’ Soul Symphony, also from 1969, finds the piano trio augmenting their sound with producer Monk Higgins, who brought in horns, strings, and guitar for a wonderful exploration of soul jazz; the side-long title track is aptly named, blowing up the commercially friendly soul-jazz genre into something much more exploratory and freeform. Both of these were cut from tape by Kevin Gray at Cohearent Audio and pressed at Optimal.
Blue Note also has a new entry in their budget line, Blue Note Essentials, which are all cut from digital masters and cheaply priced to combat gray-market European imports. John Coltrane’s centennial arrives on September 23, so fittingly, they’ve reissued his best-loved Blue Note album Blue Train on blue vinyl. It should sound fine, and will probably change some jazz neophyte’s life in a dorm room somewhere, but there are better options available, including Blue Note’s own Tone Poet edition. Lastly, ECM’s Luminessence series continues with a reissue of Stanley Cowell Trio’s 1973 album Illusion Suite, with the pianist joined by bassist Stanley Clarke and drummer Jimmy Hopps.
OTHER REISSUES OF NOTE:
(*star denotes inclusion in this week’s paid-subscriber playlist)
*Air: Love 2 [Rhino/Parlophone]
Jason Aldean: Jason Aldean; My Kinda Party; They Don’t Know [BBR]
Antioch Arrow: Your Hearts Belong to Us [Numero Group]
Dave Brubeck Quartet: Live at the Kurhaus 1967 [The Lost Recordings]
Terry Callier: Live Peace [Impressive Collective/BBE]
Callisto: Noir [Svart]
Cancer: Death Shall Rise [Peaceville]
Capone-N-Noreaga: Reunion [Tommy Boy]
Johnny Cash: Hello, I’m Johnny Cash [Music on Vinyl]
*Kyung-Wha Chung, Andre Previn & the London Symphony Orchestrsa: Tchaikovsky & Sibelius Violin Concertos [Decca Pure Analogue]
Danzig: Deth Red Sabaoth! [Cleopatra]
Bobby Darin: The 25th Day of December [Friday]
Bruce Dickinson: Balls to Picasso [BMG]
Discharge: Hear Nothing See Nothing Say Nothing [Music on Vinyl]
*Cass Elliot (Mama Cass): Dream a Little Dream [Geffen]
F/I: Blanga [Sorcerer]
Five Finger Death Punch: Legacy [Better Noise]
49th Parallel: Singles [Lion Productions]
Gloria Gaynor: Christmas Presence [Friday]
Ghostface Killah: Ironman [Sony Legacy]
Goat: Headsoup [Rocket Recordings]
*Grateful Dead: Merriweather 6/30/85 [Grateful Dead]
Macy Gray: The Id [Music on Vinyl]
*Donny Hathaway: Extension of a Man [Speakers Corner]
*Hole: Pretty on the Inside; Live Through This; Celebrity Skin [UMe]
Iron Reagan: The Tyranny of Will; Crossover Ministry [Relapse]
Michael Jackson: Bad UltraDisc One-Step 45 RPM 2-LP [Mobile Fidelity]
JFA: Only Live Once [Radiation Reissues]
Howard Jones: Like to Get to Know You Well: Live at High Wycombe Town Hall 1983 [Cherry Red]
Kottonmouth Kings: Royal Highness [Capitol]
Kramp: Kramp [Subliminal Sounds]
Bunny Lee: Creation of Dub [Jamaican Recordings]
Tommy Lee: Tommyland Rides Again [BMG]
*Luscious Jackson: Natural Ingredients [Capitol]
Cliff Martinez: Drive soundtrack [Lakeshore]
Johnny Mathis: Sending You a Little Christmas [Friday]
McAlmont & Butler: The Sound of… [Demon]
Freddie McGregor: Lovers Rock Showcase Jamaica Style [Music on Vinyl]
Mew: Frengers [Music on Vinyl]
Julian Nott: Wallace & Gromit: The Curse of the Were-Rabbit picture disc [Varèse Sarabande/Craft]
Jeffrey Osborne: Something Warm for Christmas [Friday]
Yoko Ono: It’s Alright (I See Rainbows) [Secretly Canadian]
Oregon: Beyond Words [Chesky]
Outlaw Country: Live from Austin, TX [New West]
Ma Rainey: Black Bottom Blues 1923–28 [Acrobat]
*Chamaco Ramírez: Alive and Kicking [Craft/Fania]
Redman: Whut? [Def Jam]
Kenny Rogers: Christmas from the Heart [Friday]
*Rvivr: Rvivr; The Beauty Between [Don Giovanni]
Sabaton: The Last Stand [Nuclear Blast]
Mongo Santamaria: Mambo Mango [Chesky]
Savatage: Madness Reigns from the Gutter (1990) [Earmusic]
*Bob Seger: Face the Promise [Capitol/UMe]
She Wants Revenge: She Wants Revenge; This Is Forever [Geffen]
Bobby Sherman: The Bobby Sherman Christmas Album [Friday]
Shotmaker: Mouse Ear (Forget-Me-Not) [Solid Brass]
Sia: 1000 Forms of Fear [Sony]
16 Horsepower: Hoarse; Secret South; Folklore; Olden; Yours, Truly [Glitterhouse]
The Skillet Lickers: 100 Years: 1926–2026 [Document]
*Smashing Pumpkins: Pisces Iscariot; Adore [Virgin]
Masayoshi Takanaka: Alone; T-Wave [Universal Music Japan]
Tangerine Dream: Sky People soundtrack [Music on Vinyl]
*Telefon Tel Aviv: Fahrenheit Fair Enough [Ghostly International]
The Three Degrees: Heartbroken Memories [Charly]
*Three Dog Night: Harmony [Three Dog Night]
Tina Turner: Break Every Rule [Rhino/Parlophone]
Vitalic: OK Cowboy; Flashmob; Rave Age [Citizen]
*Bobby Wayne: The Way to San Quentin [Sundazed]
Whitesnake: Slide It In; Whitesnake; Slip of the Tongue [Craft]
Jack Wilson Quartet: Brazilian Mancini [Friday]
Within Temptation: The Heart of Everything; The Unforgiving [Music on Vinyl]
Susan Wong: Close to You [Evosound]
Xzibit: 40 Dayz and 40 Nightz [Sony]
Yes: Magnification [Mercury Studios]
Steve Young: Long Time Rider [Eminent Vinyl]
Sophie Zelmani: Precious Burden [Music on Vinyl]
Various Artists: Malcolm Catto Presents: Quatermass Sound Lab [Strut]
Various Artists: Studio One Dub Plate Special [Soul Jazz]
Various Artists: Wouldn’t Be Ready to Go [Mississippi]
